Peer Review Articles
Summoning the Gods: Paintings of Three Officials of Heaven, Earth and Water and Their Association with Daoist Ritual Performance in Southern Song Period (1127-1279)
2001
“Summoning the Gods: Paintings of Three Officials of Heaven, Earth and Water and Their Association with Daoist Ritual Performance in the Southern Song Period (1127-1279),” Artibus Asiae vol. 61, no. 1 (2001): 5-52.
Tianzhu Lingqian: Divination Prints from a Buddhist Temple in Song Hangzhou
#
2007
“Tianzhu lingqian: Divination Prints from a Buddhist Temple in Song Hangzhou,” Artibus Asiae vol. 67, no. 2 (2007): 243-296.
Daoist Imagery of Body and Cosmos Part1:
Body Gods and Starry Travel
2010
“Daoist Imagery of Body and Cosmos, Part I: Body Gods and Starry Travel,” Journal of Daoist Studies 3 (2010): 57-90.
Media Transfer and Modular Construction:
The Printing of Lotus Sutra Frontispieces in Song China
2011
“Media Transfer and Modular Construction: The Printing of Lotus Sutra Frontispieces in Song China,” Ars Orientalis 41 (2011): 135-163.
Daoist Imagery of Body and Cosmos Part2:
Body Worms and Internal Alchemy
2011
“Daoist Imagery of Body and Cosmos, Part II: Body Worms and Inner Alchemical Body,” Journal of Daoist Studies 4 (2011): 33-64.
從《道藏》的「圖」談宋代道教
儀式的空間性與物質性
2011
“Cong Dao zang de ‘tu ‘tan Songdai daojiao yishi de kongjianxing yu wuzhixing” 從《道藏》的「圖」談宋代道教儀式的空間性與物質性 (Spatiality and Materiality in Song Daoist Ritual: Visual Evidence in the Ming Daoist Canon), Yishushi yanjiu 藝術史研究 (Studies of Art History) 13 (Guanzhou, 2011): 45-74.
Reassessing Printed Buddhist Frontispieces from Xi Xia
2014
“Reassessing Printed Buddhist Frontispieces from Xi Xia.” Zhejiang University Journal of Art and Archaeology 1 (2014): 129-182.
寫真山之形:從「山水圖」、「山水畫」
談道教山水觀之視覺型塑
2014
“Xie zhenshan zhixing: cong ‘Shanshuitu‘ ‘Shanshui hua‘ tan Daojiao shanshuiguan zhi shijue xingsu” 寫真山之形:從「山水圖」、「山水畫」談道教山水觀之視覺型塑 (Shaping the True Mountains: ‘Shanshui tu’,‘Shanshui hua’, and Visuality in Daoist Landscape), Gugong xueshu jikan 故宮學術季刊 (Palace Museum Research Quarterly) 31.4 (2014): 121-204.
唐宋時期佛教版畫中所見的
媒介轉化與子模設計
2014
“Tang Song shiqi fojiao banhua zhong suojian de meijie zhuanhua yu zimo sheji” 唐宋時期佛教版畫中所見的媒介轉化與子模設計 (Media transfer and modular design in Tang-Song Buddhist illustrated prints), in Shih Shou-chien 石守謙、Yan Chuan-ying 顏娟英 eds., Yishu shi zhong de Han Jin yu Tang Song zhi bian 藝術史中的漢晉與唐宋之變 (The Han-Jin and Tang-Song transitions in Chinese Art History). Taipei: Rock Publishing, 2014, pp. 385-434.
Daoist Seals Part 1:
Activation and Fashioning
2017
“Daoist Seals, Part I: Activation and Fashioning.” Journal of Daoist Studies 10 (2017): 70-101.
版畫與繪畫的互動
—— 從宋元佛教版畫所見之宋畫元素談起
2017
“Banhua yu huihua de hudong—cong Song Yuan fojiao banhua suojian zhi Song hua yuansu tanqi” 版畫與繪畫的互動--從宋元佛教版畫所見之宋畫元素談起 (Painting and Printing Connections: Elements of Song Painting in Song-Yuan Buddhist Woodcuts). In The Center for the Study of Art and Archaeology, Zhejiang University ed., Zhejiang daxue yishu yu kaogu yanjiu (teji 1): Songhua guoji xueshu huiyi lunwenji 《浙江大學藝術與考古研究(特輯一):宋畫國際學術會議論文集》 (Hangzhou: Zhejiang University Press, 2017): 1-75.
Daoist Seals Part 2:
Classifying Different Types###
2018
“Daoist Seals, Part 2: Classifying Different Types.” Journal of Daoist Studies 11 (2018): 46-81.
Illustrating The Efficacy of the Diamond
Sutra in Vernacular Buddhism
2018
“Illustrating the Efficacy of the Diamond Sutra in Vernacular Buddhism” (通俗佛教版畫所見的金剛經靈驗力). National Palace Museum Research Quarterly 《故宮學術季刊 》35.4 (2018): 35-120.
The Fodingxin Dharani Scripture and its Audience:
Healing, Talisman Culture, and Women in Popular Buddhist Print Culture
2023
“The Fodingxin Dharani Scripture and its Audience: Healing, Talisman Culture, and Women in Popular Buddhist Print Culture” (《佛頂心陀羅尼經》及其觀眾:通俗佛教印刷文化中的醫療、符文化、與女性). Taida Journal of Art History 《美術史研究集刊》54 (2023): 253-338.